Resume
Born Kagawa, Japan
Work and Live in London
EDUCATION
1997 Master of Fine Arts, Ceramics, University of Washington, Seattle, WA
1994 Bachelor of Fine Arts, Ceramics, Joshibi University of Art and Design, Tokyo, Japan (Areas of focus: Ceramics, Glass Art, Education/Teaching Training)
SOLO EXHIBITIONS
2020 Metaphorical Boundaries, HPM space(private), London UK
2013 Kukai, collaboration with Robert Campbell, Kittredge Gallery, University of Puget Sound, Tacoma, WA
2012 Kukai: Sea and Sky, collaboration with Robert Campbell, SOIL, Seattle, WA
2010 Illuminant, Howard House Contemporary Art, Seattle, WA
2009 Poetic of Restraint, Dan & Gail Cannon Gallery of Art, Western Oregon University, Monmouth, OR
2007 The Logic of Place, Peeler Art Center, DePauw University, Greencastle, IN
2006 Floating Plaster / City Motion, Collaboration with Robert Campbell, Henry Art Gallery, Seattle, WA
2006 Dream Suspended, Kittredge Gallery, University of Puget Sound, Tacoma, WA
2005 Mapping the Moment, Howard House, Seattle, WA
2003 Red Stair, Window Dressing Urban Art Installation, Woolworth Window, Tacoma, WA
2001 Danger, King County Art Gallery, Seattle, WA
1999 Obtrusion and Obstruction, curated by Tracey Fugami, RAW Gallery, Seattle, WA
1998 Potential Encounter, Shoreline Community College Gallery, Seattle, WA
1998 Dirt, SOIL Gallery, Seattle, WA
1997 How Can I Fit In, CMA Gallery, University of Washington, Seattle, WA
TWO PERSONS EXHIBITIONS
2005 Ma: NAC JAPAN, Novara Arte Cultura, Novara, Italy
2003 Simple Behavior, SOIL Gallery, Seattle, WA
2001 Atlas, Archer Gallery, Clark College, Vancouver, WA
2001 White Vanishing, Commencement Art Gallery, Tacoma, WA
GROUP EXHIBITIONS
2020 There is No Answer: Curved Clay Ball, Arts Incubator Residency, Cornish College of the Arts, Seattle, WA, USA
2020 The Shaun Kardinal Art Museum, Museum of Museums, Seattle, WA, USA
2018 蝶の羽ばたきTime Difference 時差 VOL.3 New York‒Seattle–London-Tokyo, Tokyo Metropolitan Art Museum, Tokyo, Japan
2018 In the Shadow of Olympus, SOIL Gallery, Seattle, WA
2016 Time Difference 時差展 VOL.2 Seattle-New York-Tokyo-Kobe, Hyogo Prefectural Museum of Art, Kobe, Japan
2016 Evolution: Art, Science & Adaption, Seymour Conservatory, Tacoma, WA
2016 Seattle Public Utilities Cultural Perspectives Part 1, Seattle Municipal Tower Gallery, Seattle, WA
2015 Bellingham National 2015 Exhibition and Awards, juried by Scott Lawrimore, Whatcome Museum, Bellingham, WA
2015 Time Difference: Seattle-New York-Tokyo, SOIL Gallery, Seattle, WA
2015 ART BEASTIES Pop-Up Show at Prole Drift, Prole Drift, Seattle, WA
2014 Fluid Destination, Art Beasties, Culture Fix Gallery, New York, NY
2014 INTRODUCTION, ART BEASTIES, Japanese artist collective first group exhibition in NYC, Brooklyn Fire Proof, Brooklyn, NY
2014 PART AT PARK, Sculpture Park, Seattle Art Museum, Seattle, WA
2013 Maneki Neko, Japan’s Beckoning Cats, From Talisman to Pop Icon, Bellevue Arts Museum, Bellevue, WA
2012 Set the Table for SAM, Sculpture Park, Seattle, WA
2011 currents 11, The 2nd Annual Santa Fe International New Media Festival, El Museo Cultural de Santa Fe, Santa Fe, NM
2011 Senninbari, curated by Rumi Koshino, KOBO, Seattle, WA
2011 Artist for Japan, KOBO, Seattle, WA
2011 Japanese Artists Tsunami Fundraiser, curated by Toshi Asai and Ben Beres, Jo Bar Cafe, Seattle, WA
2010 BAM Biennial 2010: Clay Throwdown, Bellevue Arts Museum, Bellevue, WA
2010 Tacoma Foundation Nominees Exhibition, curated by Margaret Bullock, Kittredge Gallery, Tacoma, WA
2009 BUILD-A-HOUSE /OPEN HOUSE, Howard House Contemporary Art, Seattle, WA
2008 THE NATURE OF GROWTH, curated by Lars Husby, Bellevue Community College, Bellevue, WA
2008 SOIL@SOIL, Aqua Art Miami, Miami Beach, FL
2008 Heritage and Windows, All Nations Cup 2008, Tukwila, WA
2007 Compass: New Directions, curated by Jill Conner, Black and White Gallery, Brooklyn, NY
2007 The 2007 Neddy Artist Fellowship Exhibition, Tacoma Art Museum, Tacoma, WA
2006–2007 Building Tradition: Contemporary Northwest Art from Tacoma Art Museum, Whatcom Museum of History and Art, Bellingham, WA
2007 Electric Gallery, Union Substation, Municipal Tower Gallery, Seattle, WA
2007 Master Minds – abstract works from UW Ceramics Faculty and Alumni, Kirkland Arts Center, Kirkland, WA
2007 Artist Trust 20 Years, SAM Gallery, Seattle, WA
2007 In Focus: Seattle Galleries SOIL Gallery, SAM Gallery, Seattle, WA
2007 2007 Artist Trust 20th Anniversary, SAM Gallery, Seattle, WA
2006 New Works Laboratory, 911 Media Arts Center and Henry Art Gallery, Seattle, WA
2006 Common Ground, Curated by Jess Van Nostrand, SOIL Gallery, Aqua Art Miami, Aqua Hotel, Miami Beach, FL
2006 Skid Row, Howard House, Aqua Art Miami, Aqua Hotel, Miami Beach, FL
2006 ARTS PARTS, Gallery4Culture, Seattle, WA
2006 Hardline Organics Part Two – a tale of absurd optimism, SOIL Gallery, Seattle, WA
2006 Fresh, Elizabeth Leach Gallery, Portland, OR
2006 In Focus: Seattle Galleries at the RSG, Howard House, Seattle Art Museum’s Rental Sales Gallery, Seattle, WA
2006 Hardline Organics: Part One, SOIL Gallery, Seattle, WA
2005 Aqua Art Miami, Aqua Hotel, Miami Beach, FL
2005 Studios: Part 2, International District, The Seattle Art Museum’s Rental Sales Gallery, Seattle, WA
2005 SOIL Artist-run Gallery 1995-2005, SOIL Gallery, Seattle, WA
2005 Building Tradition, Curated by Rock Hushka, Tacoma Art Museum, Tacoma, WA
2005 SOIL Auction and SOIL Book Release, Western Bridge, Seattle, WA
2004 Sell out, Howard House, Seattle, WA
2004 Comfort, Threadshop, Seattle, WA
2004 Masquerade, Curated by Bret Marion, SOIL Gallery, Seattle, WA
2004 Transition and Transformation, City Space, Seattle, WA
2004 Material Witness, Kirkland Art Center, Kirkland, WA
2004 Trespass: A Site Specific Installation, Chateau de La Napoule, La Napoule, France
2003 YSA: Young Seattle Artists, Howard House, Seattle, WA
2003 2003 Northwest Annual, Juror: Esther Luttikhuizen, Center on Contemporary Art, Seattle, WA
2003 Artists and Maps: Cartography as a Means of Knowing, Lewis & Clark College, Portland, OR
2003 Fashion Is ART, Fashion Show/Exhibition/Publication, Curated by THREAD for ART, Bumbershoot, Seattle, WA
2003 Fashion Is ART, Kuhlman, Seattle, WA
2003 Collections and Creations, Curated by Randy Wood, Bumbershoot, Seattle, WA
2003 Under Construction, Bumbershoot, Seattle, WA
2003 University of Washington Ceramics Program 1969-1996, The Clay Studio, Philadelphia, PA
2003 Multiple Coordinates, Curated by Ephriam Russell, Foster/White Gallery, Kirkland, WA
2002 Tiny Universe, SOIL Gallery, Seattle, WA
2002 Multiplex; 22 Contemporary Artists, Curated by Michael Van Horn, Bumbershoot, Seattle, WA
2002 LAVA 2002, Noodleworks, Organized by Yuki Nakamura, Jennifer West, and Claude Zervas, Seattle, WA
2002 SOIL does Houston, Houston Gallery, Seattle, WA
2000 00 / 01, James Harris Gallery, Seattle, WA
2000 NoodleWorks Invitational 2000, NoodleWorks, Seattle, WA
2000 Good and Guilty, Kirkland Arts Center, Kirkland, WA
2000 Mahlum Architects, Seattle, WA“
1999 The End: Tacoma Art Museum’s Biennial, Juror: Fred Wilson, Tacoma Art Museum, Tacoma, WA
1999 Pacific Northwest Annual, Juror: Jon Tupper, Bellevue Art Museum, Bellevue, WA
1999 Liminal, Curated by Christian French, ArtsEdge, ArtSpace, Seattle, WA
1999 Horsehead International Projects, Sand Point Navel Base, Seattle, WA
1999 Box Populi, ArtSpace, Seattle, WA
1999 Within, Curated by Christian French, ArtSpace, Seattle, WA
1998 Unbridled: New A.R.T. Organization: Artists Representing Themselves, Hanger at Sand Point Navel Base, Seattle, WA
1998 New SOIL Members, SOILGallery, Seattle, WA
1997 PUSH, SOIL Gallery, Seattle, WA
1997 Master of Fine Arts Thesis Exhibition, Henry Art Gallery, Seattle, WA
1996 Beyond the Rock Garden, Curated by Mayumi Tsutakawa, Wing Luke Asian Museum, Seattle, WA
1996 School of Art First Year MFA Exhibition, Jacob Lawrence Gallery, Seattle, WA
1994 Ceramics Graduation Exhibition, Asabu Museum of Arts and Crafts, Tokyo
1994 Put on the Earth, Muramatsu Gallery, Tokyo
1992 Green Roof as Performance Symposium, Sagamihara, Japan
AWARDS/GRANTS/FELLOWSHIPS
2017 Artist Trust Fellowship, Artist Trust, Seattle, WA USA
2013–2014 Washington State Teaching Artist Training Laboratory, ARTSWA, Seattle, WA
2011 Tacoma Artist Initiative Program, Tacoma Arts Commission, Tacoma, WA
2010 Artist Trust Grants for Art Project, Seattle, WA
2009 (Nominee) Foundation of Art Award, The Greater Tacoma Community Foundation, Tacoma, 2009
2009 Arts Special Project Program Grant, 4Culture, Seattle, WA
2007 (Nominee) Neddy Award, Behnke Foundation, Seattle, WA
2006 CityArtist Projects, City of Seattle Office of Arts & Cultural Affairs, Seattle, WA
2006 4Culture Arts Special Project Program Grant (SOIL Hardline Organics Project), Seattle, WA
2005 Artist Trust Grants for Art Project, Seattle, WA
2005 4Culture Arts Special Project Program Grant, Seattle, WA
2004 Project Grant (SOIL Artist-run Gallery 1995-2005 publication project), Washington State Art Commission, Olympia, WA
2004 Joshibi Intensive Creative and Research Fellowship Award, Tokyo
2004 (Finalist) Joshibi Paris Award, Tokyo
2003 Arts Special Projects Program Grant (SOIL Artist-run Gallery 1995-2005 publication project), Cultural Development Authority of King County, Seattle, WA
2003 EDGE: Professional Development Program, Artist Trust, Seattle, WA
2003 Tacoma Artist Initiative Program Grant, Tacoma Arts Commission, Tacoma, WA
2002 Artist Trust / Washington State Arts Commission Fellowship, Artist Trust, Seattle, WA
2002 (Finalist) Joshibi Intensive Creative and Research Fellowship Award, Tokyo
2002 PONCHO Northwest Scholarship, Pilchuck Glass School, Stanwood, WA
2001 The Pollock-Krasner Grant, The Pollock-Krasner Foundation, Inc, New York, NY
2001 George Tsutakawa Memorial Scholarship, Pratt Fine Arts Center, Seattle, WA
2000 Artist’s Grant, Artist-in-Residence, Vermont Studio Center, VT
1999 (Finalist) Betty Bowen Art Award, Seattle Art Museum, Seattle, WA
1999 Artist Trust Grants for Art Project, Seattle, WA
1999 Emergency Grant, Change.Inc, New York, NY
1996 Milnor Roberts Scholarship, School of Art, University of Washington
1995 Gonzales Scholarship, School of Art, University of Washington
ARTIST RESIDENCIES
2020 Arts Incubator Residency, Cornish College of the Arts, Seattle, WA
2006 New Works Laboratory, 911 Media Arts Center and Henry Art Gallery, Seattle, WA
2005 Novara Arte Cultura, Novara, Italy
2004 La Napoule Art Foundation Artist in Residence, La Napoule, France
2003 PONCHO Artist-in-Residence, Pratt Fine Arts Center, Seattle, WA
2001 Centrum Creative Residency, Port Townsend, WA
2001 Vermont Studio Center, Johnson, VT
PUBLIC COLLECTIONS
2016 Seattle Public Utilities Portable Works Collection Purchase, Seattle, WA USASeattle
2012 City of Tacoma’s Portable Works Collection Purchase, Tacoma, WA
2009 Pierce County Art Bank Portable Works, Tacoma, WA
2008 Seattle City Light, Seattle, WA
2009 Pierce County Art Bank Portable Works, Tacoma, WA
2006 Ulrich Museum of Art, Wichita, Kansas
2004 Tacoma Convention Center, Tacoma, WA
2003 Tacoma Art Museum, Tacoma, WA
2002 Microsoft Corporation, Redmond, WA
2001 The Swedish Cancer Institute, Seattle, WA
PUBLICATIONS
2019 Group Show of Contemporary Artists 2018, Tokyo Metropolitan Art Museum
2018 蝶の羽ばたきTime Difference 時差VOL.3 New York‒Seattle–London–Tokyo, Tokyo Metropolitan Art Museum, Art Beasties Publications
2016 Time Difference 時差展 VOL.2 Seattle‒New York‒Tokyo‒Kobe, Hyogo Prefectural Museum of Art, Art Beasties Publications
2013 CARTOGRAPHY: Artists + Maps, Katharine Harmon, Under Table Press, China
2011 Return to the Viewer: Selected Art Reviews by Matthew Kangas, Midmarch Arts Press
2009 500 Ceramic Sculptures, Lark Books
2009 CARTOGRAPHY: Artists + Maps, text by Katharine Harmon, a hardcover edition by Princeton Architectural Press
2008 Yuki Nakamura, artist monograph, essays by Jill Conner, Rock Hushka, Stefano Catalani, Gary Owen, Fionn Meade, Jen Graves and Elizabeth Brown, Seattle, WA
2008 SOIL 2008, profile by Sara Callahan, SOIL Publications, Seattle, WA
2007 Compass: New Directions, essay by Jill Conner, Black and White Gallery, Brooklyn, NY
2007 The 2007 Neddy Artist Fellowship, essay by Jess Van Nostrand, Tacoma Art Museum, Tacoma, WA
2007 One Shots 2006, Curated Publication, Visual Codec, Seattle, WA
2006 SOIL 2006, Introduction by Jess Van Nostrand, Design by Thom Heileson, Members Profile by Jill Conner, SOIL Publications, Seattle, WA
2006 NAC, Essay by Davide Vanotti, NAC Publications, Novara, Italy
2005 SOIL Artist-run Gallery 1995-2005, Introduction by Yuki Nakamura, Design by Thom Heileson, Essay by Fionn Meade, Members Profile by Rock Hushka and Stefano Catalani, SOIL Publications, Seattle, WA
2003 Fashion Is Art, Essay by Rhonda Howard, Artist Entry by Fionn Meade, Design by Rebecca Richards, THREAD for ART, Seattle, WA
2003 Building Tradition, Written by Rock Hushka, Tacoma Art Museum, Tacoma, WA
2003 Artists and Maps: Cartography as a Means of Knowing, Written by Linda Tesner, The Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis &Clark College, Portland, OR
2002 LAVA 2002, Essay by Rhonda Howard, Design by Rebecca Richards, Artist Entry by Anna Fahey, Published by THREAD, Seattle, WA
1997 Master of Fine Arts 1997, University of Washington, Seattle, WA
1996 Beyond the Rock Garden: Craft Forms for a New World Asian / Pacific American and Canadian Contemporary Crafts Exhibition, Wing Luke Asian Museum, Seattle, WA
PROFESSIONAL EXPERIENCE
2013– Member, Art Beasties, Japanese Artist Collective, New York, NY
2013 Panelist, Going Public: Transitioning from Studio Art to Public Work, University of Puget Sound, Tacoma, WA
2012 Panelist, CityArtist Project, City of Seattle Office of Arts & Cultural Affairs, Seattle, WA
2010 Panelist, SDOT Sidewalk Development Artwork Project, City of Seattle Office of Arts & Cultural Affairs, Seattle, WA
2009 Juror: 4Culture Gallery, 4 Culture, Seattle, WA
2007 Assistant, Aqua Art Miami, Seattle, WA
2006 Co-Curator, Hardline Organics, SOIL Gallery, Seattle, WA
2006 Publication Project Director: SOIL 2006, SOIL Gallery, Seattle, WA
2006 Juror: Senior Student exhibition, Kittredge Gallery, University of Puget Sound, Tacoma, WA
2006 Juror: Artist Trust Grants for Art Project, Seattle, WA
2006 Panelist: 4Culture Arts Organization Sustained Support Program, 4Culture, Seattle, WA
2006 Volunteer: Marketing Project, Seattle Central Community College, Seattle, WA
2005 On–Site Evaluator, Arts Organization Sustained Support Program, 4 Culture, Seattle, WA
2005 Advisory Committee “Public Art Project,” Wing Luke Asian Museum, Seattle, WA
2002–2005 Publication Project Director: “SOIL: Seattle’s artist-run-gallery 1995<2005”
2005 Artist in Residency in Education, Museum of Glass, Tacoma, WA
2004 Panelist: Arts Special Projects Program, 4 Culture, Seattle, WA
2003 Co-Curator, “Fashion Is Art,” Seattle, WA
2003 EDGE: Professional Development Program, Artist Trust, Seattle, WA
2003 Panelist: 3 Public Art Projects, Atlantic/Central Base Expansion, Cultural Development Authority of King County, Seattle, WA
2003 Interpreter/Assistant: Worked with Katusshige Nakahashi, Henry Art Gallery, Seattle, WA
2002 Co-Organizer, “LAVA 2002,” Seattle, WA
2001 Juror: Commencement Art Gallery, Tacoma, WA
1998–2000 Claudia Fitch Studio Assistant, Seattle, WA
1998 Gallery Assistant: Howard House, Seattle, WA
1997–1998 Sales Associate: Seattle Art Museum, Seattle, WA
1998–2009 Member: SOIL: Collective and Artist-run Gallery, Seattle, WA
1995 Solo Teaching: Ceramic Handbuilding, University of Washington, Seattle, WA
1992–1994 Kosho Ito Installation Assistant, Tokyo
TEACHING/LECTURES/WORKSHOPS
2017 Artist Presenter, Office of Arts & Culture, Public Art Boot Camp Program, EMP, Seattle, WA
2016 Artist Presenter, Office of Arts & Culture, Public Art Boot Camp Program, EMP, Seattle, WA
2015 Teaching Artist, Digital Media & Advance Art, Charles Wright Academy, University Place, WA
2015 Artist Presenter, Office of Arts & Culture, Public Art Boot Camp Program, EMP, Seattle, WA
2013 Teaching Artist, Artist in Residence at Sherman Elementary School, Tacoma, WA
2012 Workshop and Artist Talk, Kittredge Hall, University of Puget Sound, Tacoma, WA
2010 BAM Biennial Artist Talks, Bellevue Arts Museum, Bellevue, WA
2010 BAM Biennial 2010: NW Clay Symposium, Bellevue Arts Museum, Bellevue, WA
2010 Artist Gallery Talk, Howard House, Seattle, WA
2007 Artist Talk, DePauw University, Greencastle, IN
2006 Lecture, Art 120: Issues and Influences, University of Washington, Seattle, WA
2006 Lecture, University of Puget Sound, Tacoma, WA
2006 Artist Gallery Talk, University of Puget Sound, Tacoma, WA
2006 Guest Artist, Transcontinental, 911 artists2artists, 911 Media Arts Center, Seattle, WA
2006 Artist Gallery Talk, University of Puget Sound, Tacoma, WA
2005 Artist Gallery Talk, Howard House, Seattle, WA
2005 Slide Talk, Tacoma Convention Center Public Art, Tacoma Art Museum, Tacoma, WA
2004 Slide Talk, Chateau de La Napoule, La Napoule, France
2004 Guest Speaker, “Transition and Transformation” at City Space, invited by Cornish College of Art, Seattle, WA
2004 Guest Speaker, “What’s UP?” invited by Carolyn Law and Anne Focke, Seattle, WA
2003 Lecture, “Meet the Artist: Citizen Activism,” The Evergreen State College, Olympia, WA
1997 Teaching, Ceramics, University of Washington, Seattle, WA
1996 Teaching Assistant (with visiting artist Tip Toland), University of Washington, Seattle, WA
1995 Teaching Assistant (with visiting artist Tre Arenz), University of Washington, Seattle, WA
PUBLIC ART PROJECTS
2016– Overlake Station, Sound Transit, Redmond, WA
2017 TransFORM ll, Bay Terrace, Tacoma Housing Authority, Tacoma, WA
2017 TransFORM Ill, Lecture Hall, Evergreen State College, Olympia, WA
2014 TransFORM, Bay Terrace, City of Tacoma Municipal Art Program, Tacoma, WA
2008 Filament, Seattle Municipal Building, Seattle City Light, Seattle, WA
2006 White Vanishing: Light and Shadow, Electric Gallery, Union Street Substation Project, Seattle, WA (14 feet high and 100 feet long, fabricated on vinyl mesh material)
2004 Seeded Forest, New Tacoma Convention Center, Tacoma, WA Collaboration with Joe Miller)
2004 Umbrella Project, Tacoma Art Museum, WA
REVIEWS OF EXHIBITIONS
Ponnekanti, Rosemary. “Digital and Physical mesh in the mystical Nakamura-Campbell exhibit “Kukai” at Kittredge Gallery, University of Puget Sound. The New Tribune. January 23, 2013
Ponnekanti, Rosemary. “Sculpting Young Artists. Ceramic guru guides Sherman students in clay work, schoolwide project“. The New Tribune. March 23, 2013
Duff, Deanna. “Women take over: Northwest Asian Artists at SAM.” Northwest Asian Weekly (November 15, 2012).
Graves, Jen. “Porcelain, Animation, Sound, and Mylar After Japan’s Tsunami.” The Stranger. (January 18, 2012)
Kangas, Matthew. “Bellevue Art Museum Biennial 2010: Clay Throwdown.” Ceramic Monthly. (April 2011), pp.56–57.
Kangas, Matthew. International Exhibition Reviews. Art in America (May 2010), p.165
Langner, Erin. “Yuki Nakamura and Gretchen Bennett.” The Stranger (January 12, 2010)
Hackett, Regina. “Yuki Nakamura – old light.” Another Bouncing Ball (www.artsjournal.com)
Levine, Stacey. “Man Repeatedly Drowns in Elevator Lobby. Seven new art installations unveiled in the City Light Building.” City Arts (February 2009), p. 9.
Grant, Adriana. “Utility sheds some light on lobby art.” Seattle Post-Intelligencer (February 13, 2009), p. 27.
Lombardi, D. Dominick. “Compass: New Directions A show curated by Jill Conner at Black & White Gallery in Williamsburg, Brooklyn.” D’art International. Volume 11, Number1. (Spring/Summer 2008)
Art Fag City. “Compass New Directions at Black and White Gallery in Williamsburg.” Thursday, November 8, 2008.
Rodger Stevens. “Compass: New Directions.” Wagmag (2007-10-01).
Kelly, Peter. “Shiplike ‘city,’ scenes of war, pirate radio featured in new Henry exhibits.” UWEEK, Vol. 24, No. 8 (November 16–29, 2006).
Conner, Jill. “Anime and Role Play: Bubblegum Crisis.” Whitewall Magazine (Third Issue 2006), p. 137.
Luttikhuizen, Esther. “The Curator’s Eye: In Thin Air.” City Arts (November/December 2006), p. 30.
Peter, Sue. “Brilliant Collaborations. Digital experimenters are paired with traditional artists, to dazzling effect.” Seattle Weekly (October 11, 2006), p. 71.
Hackett, Regina. “Collaboration between new media technicians and visual artists.” Seattle Post-Intelligencer (October 6, 2006), p. 35.
Graves, Jen. “Kingdom, Come.” The Stranger (September 28–October 4, 2006), p. 61
Farr, Sheila. “New Works Lab experiments mix old media and new.” The Seattle Times (September 22, 2006), p. 39.
Liang, Yi. “SOIL.” Vision Magazine, China (September 2006), pp. 193–194
Conner, Jill. “Fragile Simplicity,” Sculpture Magazine (July/August Issue, 2006), pp. 42–47.
Neyens, Matt. “Yuki Nakamura Mapping the Moment at Howard House.” Rivet, R15 The Green Issue (2006), p. 27.
Lind, Katie. “Nakamura Brings the Suspense” to UPS.” The Trail, Volume 94, Issue 12 (February 17, 2006), p. 12.
Kangas, Matthew. “A delightful show of team spirit at SOIL.” Seattle Times (January 20, 2006), p. 41.
Peper, Staci. “Gallery pushes the boundaries of ceramic art.” Tacoma Weekly, Section C (January 19, 2006), p. 2.
Clayton, Chris and Smith, Briony. “Seattle Magazine’s Picks of the Month’s best.” Seattle Magazine (December 2005) online
Engelson, Andrew. “Mark Takamichi Miller & Yuki Nakamura.” Seattle Weekly (October 5–11, 2005), p. 71.
Jelenkovich, Gioia Raimondi. “Al Nac le installazion di due artiste giapponesi.” Corriere di Novara (May 6, 2005).
Marforio, Sabrina. “Installation d’ avangurdia, tanti ospiti perdue artiste giapponesi.” Novaraoggi (April 29, 2005).
Jelenkovich, Gioia Raimondi. “Mostra al Nac Miyuki Yokomizo e Yuki Nakamura.” Corriere di Novara (April 28, 2005).
Graves, Jen. “Contemporary art infuses and informs convention Center.” The Tacoma News Tribune (November 10, 2004), p__.
Hackett, Regina. “Soil Collective’s self-portraits are, literally, high art.” Seattle Post-Intelligencer (September 17, 2004), p.__.
Ichikawa, Etsuko. “Yuki Nakamura at SOIL Artist Collective.” YOUMAGA (2004)
http://www.youmaga.com/event/art/05.html.
Hackett, Regina. “Howard House hits a hot note with its young artists show.” Seattle Post-Intelligencer (September 17, 2004)
Kunimatsu, Susan. “Art Worlds: The expanding universe of Yuki Nakamura.” International Examiner (August 4–17, 2004), p. 1, p. 11.
B.G. “Les artists du monde ouvrent leurs ports.” Nice-Matin (February 29, 2004).
Stoesz, David. “FASHION IS ART,” Seattle Weekly (August 27–September 2, 2003), p. 90.
Graves, Jen. “The Arts: Fashion Is…eclectic, individual–and certainly, Fashion Is Art.” The News Tribune (August 31, 2003), p. E4.
Parvaz, D. “No common thread to artists’ fashion statements.” Seattle Post-Intelligencer (August 29, 2003), pp. E1–2.
Hall, Emily. “The Meaning of Clothes.” The Stranger Bumbershoot Rx (August 28, 2003), p. 9.
Stoesz, David. “Yuki Nakamura and Claude Zervas.” Seattle Weekly (April 2-8, 2003), p.__.
Irizarry, Elvis. “The Fictional Atlas of Yuki Nakamura.” International Examiner (November 20–December 3, 2002), p. 13.
Inaba, Yaeko. “Ceramic Artist Yuki Nakamura, Award from Artist Trust.” Hokubei Hochi (November 20, 2002), p.__.
Brown, Elizabeth, and Corrin, Lisa. “The Mountain is Out.” MODERN PAINTERS (Autumn 2002), p. 47.
Hall, Emily. “Pay Attention, Please; Artists Before the Eruption.” The Stranger (May 30, 2002), p. 30.
Graves, Jen. “’Lava’ art challenges – and involves – you.” The News Tribune (May 19, 2002), p. D3.
Hackett, Regina. “Northwest pluck at BAM,” Seattle Post-Intelligencer (October 23, 2001), p.__.
Kangas, Matthew. “Works in BAM’s Annual – resist traditional categories.” The Seattle Times (October 19, 2001), p.__.
Hall, Emily. “In Arts News.” The Stranger (August 30, 2001), p.__.
H.K, Leo. “Danger: The Art of Yuki Nakamura.” International Examiner (July 18–31, 2001), p. 15.
Hackett, Regina. “Meet the artists.” Seattle Post-Intelligencer (October 5, 2000), p. E1, E4.
Updike, Robin. “It’s art, it’s work out, it’s HorseHead.” The Settle Times (July 19, 1999), p.__.
Hackett, Regina. “1999 Northwest Annual.” Seattle Post-Intelligencer (July 12,1999), p.__.
Im, Soyon. “PUSH at the Soil Gallery.” International Examiner (October 15, 1997), p.__.
Jew, Doris. “Beyond the Rock Garden: A Show of Fine Arts in Craft.” International Examiner (August 7, 1996), p.__.
Norishima, Kayoko. “People.” Yomiuri Newspaper (February 14, 1994), p.__.
“Tokyo Today.” Shikoku Newspaper (January 29, 1994), p.__.